Thiruvannamalai Tamil Movie Review

Thiruvannamalai Movie Review from bharatstudent,Indiaglitz,Idlebrain

Ratings at a glance
Bharatstudent - 2/5
behindwoods - 1.5/5
Indiaglitz -
Galatta -

Source:Bharatstudent

Movie Review:Thiruvannamalai Rating :2/5 Banner :Kavithalaya Productions Cast :Arjun, Pooja Gandhi, Karunaas, Sai Kumar, Sudha and many others Music: Srikanth Deva Cinematography: Padmesh Producer: K. Balachandar & Pushpa Kandasamy Director: Perarasu Released Date: December 21, 2008

Story: A typical mass formula, the story is set on the backdrop of a small town where a local cable operator Eswaran (Arjun) believes in standing up for the truth and does not hesitate to use his muscles to bring justice. In this process, he finds enmity with the local MLA (Saikumar) and the trouble becomes so intense that Eswaran decides to take up the challenge directly by contesting in the elections. Miffed with all this, Eswaran's mother decides to put an end to all this and takes him to Thiruvannamalai. There they meet a Sadhu (Arjun again) who believes in peace and tranquil approach for the solution of each problem. Eswaran is not too much into so they get into a pact. Both of them change places and what happens from there forms the rest of the story. Presentation: The story of the film has been quite clichéd and the message it was conveying may also not be a healthy one if taken seriously. The subject has been woven with commercial elements and though the presentation was quite jarry, the narrative looked better at few instances. The dialogues were average, the script was written with few loose ends, the screenplay was executed without much ado. Music was a failure and the camerawork could have been better. Editing did its bit but then it could not avoid few things. Arjun carried out his dual role in a matured way, he fits the role of a saint very well, Pooja Gandhi was pretty and gorgeous and fitted the glamour part very well. Sai Kumar looked authentic as the bad MLA and Karunas offered some comedy that was not very hearty. The others did their bit and contributed a little to the film. Conclusion: The film tried to show an interesting move with the change of roles between the rough and saintly guy but then it failed to hold on to the concept. The characters were not etched out strongly and the entire length of the film goes about in hard core action and violence with a typical commercial approach. The message they were trying to convey was a bit ambiguous as even the saint ends up fighting the baddies. This is not for the family and the fun loving audience but the front benchers might find this a feast. Bharatstudent verdict: Typical commercial masala, only for mass audience.

Source:Behindwoods

Starring: Arjun, Pooja Gandhi Direction: Perarasu Music: Srikanth Deva Production: Kavithalaya Productions

Perarasu’s sixth film, and he still continues with his fascination for naming his movies after places. He also continues following the set pattern and formula he is known for. Thiruvannamalai marks the first time Perarasu has got together with Action King Arjun. Considering the style of Perarasu and the kinds of films that Arjun does, one is surprised that it took this long for this combination to happen. Thiruvannamalai deals with the injustice and atrocities in society and how tough life has become in the midst of such complete chaos. In fact, the movie is at times, a debate over the better way to counter or face such bad elements of society; the violent way or the more Gandhian way, though there is no direct reference to Gandhian methods.

Arjun is a young man who can’t stand crime and injustice. He makes it a habit of getting involved in every small issue around town and gets into fights and arguments on a regular basis. His mother is not able to digest this violent streak of her son and also fears for his safety, but Arjun is of the view that to live in such a society, one has to adopt such violent ways failing which the bad men will run over you. From then on the debate begins and the culmination is the vindication of one of these methods. It is not a debate in the real sense, but the story moves in a way that finally one of them is proved right. You do get a surprise in Thiruvannamalai when you realize that Arjun is actually doing a double role in the movie. This is something that has been a closely guarded secret, not giving away even a clue in the promos and trailers; naturally, when the second Arjun makes an appearance at interval point you are surprised. Then there is an interesting role reversal of the two Arjuns which is the fulcrum of the movie.

Perarasu has made a pretty good effort this time round, taking care not to allow boredom to set in at many places. As usual he has handled all the key departments of the movie. But the fact is that neither the director nor anyone else involved in the movie seems to have been ambitious and that’s why the end product looks pretty much average. If there is nothing you can trash about movie, there is also not much that you can appreciate. The fights are in keeping with the standards of any Arjun movie. The music by Srikanth Deva is passable at best, save one melody - 'solla sugame' which is good to hear; it doesn’t lend any strength to the movie. There is nothing else that can be mentioned as highs or lows. But one thing that can be changed about Perarasu’s films are his insistence to throw in a cameo for himself with punch lines, sometimes it looks really unnecessary. Also, with so many lyricists around who can do a better job, why does he want to take on the responsibility himself?

Arjun has come up with an energetic performance, looking more chirpy on screen, especially in the first half – his fans will love him. Saikumar as the lead villain does the usual bad man stuff. Pooja Gandhi is shown as the heroine but is there just to make up the numbers, not much of a role. Karunas gets bits and pieces here and there to provide comic relief, but is really too little to make anyone laugh.

Overall, Thiruvannamalai is a full length Arjun action show in true Perarasu style. The movie has remained true to its tagline of Action Jyothi. Arjun fans and Perarasu loyalists certainly won’t be disappointed. But the average viewer might not take too much interest. The movie has got all the elements in a pretty good mix to attract the B and C center audiences, but nothing can be said for certain.

Verdict – Thiruvannamalai – Perarasu ‘Win’?


Source:Indiaglitz

Banner: Kavithalaya Productions Cast: Arjun, Pooja Gandhi Direction: Perarasu Production: Pushpa Kanthasamy Music: Srikanth Deva
Thiruvannamalai Movie Review

Thiruvannamalai - A typical 'Perarasu' dhamaka

IndiaGlitz [Monday, December 22, 2008]

Arjun is known for his 'mass hero' themes and Robinhood kind of films. So are the movies churned out by director Perarasu. What when the two come together? A racy entertainer loaded with punch dialogue and stunts. So is ‘Thiruvannamalai’. However the movie seems to be a rehash of several films of the past including few movies of Perarasu. A youth fighting against injustice in the society is what all films of Perarasu talk about. No different is his ‘Thiruvannamalai’, where the peppy songs, numerous stunt sequences and cameo by Perarasu, all find a place. Arjun plays a good samaritan, who runs a cable channel in Kumbakonam. He is the centre around which the whole plot revolves. He dances, tries his hand at comedy and flexes his muscles. Donning a dual role, he is right there in almost every frame. Pooja Gandhi, who acted opposite Karan in ‘Kokki’, is back to play a typical Tamil heroine. Running mad behind the hero in romance and shake her leg in skimpy costume for a couple of songs. The villain Sai Kumar as corrupt politician is too loud. There are scores of other artistes including Karunaas, Periyar Dasan among others. Easwaran (Arjun) is upright and honest youth, who runs a local cable channel in Kumbakonam. He is known to fight for the cause of the society and the common man. He enters into fisticuff with local MLA (Sai Kumar) after he exposes his corrupt and greedy ways through his cable TV channel. Fearing trouble, his mom takes him to a saint in Thiruvannamalai. The Swami resembles Arjun. Sequence of events forces them to swap places. The soft-spoken Swami tries to sort all issues through non-violent means (Gandhian philosophy). Did he succeed in his endeavors or was he forced top use his arms forms the climax. Though the screenplay and script are quick-paced, several sequences sans logic fails to attract attention. But for loyalists of Perarasu, the film will be a celebration. There are punch dialogue and racy numbers courtesy Srikanth Deva. Produced by Kavithalaya, the movie would be lapped up by front-benchers.

Source:Galatta

Cast	Arjun, Pooja Gandhi, Karunas, Saikumar
Banner	Kavithalaya
Producer	Pushpa Kandaswamy
Story, screenplay, dialogue, lyrics and direction	Perarasu
Music	Srikanth Deva
Camera	Padmesh
Editing	Jaishankar
Art	GK
Stunts	Anal Arasu
Review
Now is the season for dual roles in Tamil films. Thiruvannamalai, directed by commercial director Perarasu, has 'action king' Arjun in dual roles. Easwar (Arjun) is a cable TV operator in a small town. Uncomplicated and uneventful, his life revolves around his affectionate family comprising his mother and sister. But the actions, inactions and attitude of a sinister MLA Poongundran (Saikumar) infuriate Easwar. Several times, Easwar requests the MLA about the need to bring about developments for the town. But as expected, Poongundran does not respond to his reasonable requests. Instead, he continues to pilfer public funds to meet his personal ends. Easwar and school teacher Malathy (Pooja Gandhi) meet and fall in love. But even the sweet romance does distract Easwar from his aim to improve the town's facilities and infrastructure. Planning to replace the crooked MLA, Easwar makes his friend Durai (Karunas) contest against Poongundran in the election. But using his power and influence, Poongundran wins the election by ballot-rigging and booth-capturing. Finally, Easwar's patience too wears out and he gets increasingly upset by Poongundran's attitude. When he meets and questions the wicked MLA, the arguments often end in serious fist fights. Worried by her son's behaviour and unable to discipline him, Easwar's mother decides to tone down his anger and frustration in her own way. She takes him to visit the Thiruvannamalai temple. Meeting a Godman in the temple proves to be a turning point in Easwar's life. What is so special about the saint? What transpires between them? What does Easwar achieve with the help of the Godman? Does he use the Godman to win Poongundran over? Are his looks special? How does the Godman resemble Easwar? Thiruvannamalai treads on the usual formula route; however, Perarasu's treatment brings about the difference in the film. Don't miss it! Thiruvannamalai gives Action King Arjun a lot of opportunities to showcase his action skills. After the intermission, the film becomes a full-fledged action thriller. As usual, Arjun's stunts are amazing. Pooja Gandhi's role is typical; a predictable affair with the hero that begins with a clash and ends in romance. Still, her good performance adds to the appeal of the film. Karunas has played an emotional role plus his usual comedy in Thiruvannamalai. Srikanth Deva's music has many Kuthu songs. Padmesh's camera follows the pace of the film. Director Perarasu has made Thiruvannamalai applying his tested style of an action masala. Had the script been more logical, the film could have become a big hit like the director's successful productions such as Sivakasi, Thirupachi, etc.

Dindigul Sarathy Tamil Movie Review

Dindigul Sarathy Movie Review from bharatstudent,Indiaglitz,Idlebrain

Ratings at a glance
Bharatstudent - 2.25/5
behindwoods - 2/5
Indiaglitz -
Galatta -

Source:Bharatstudent

Movie Review:Dindigul Sarathy Rating :2.25/5 Banner :Sun Pictures Cast :Karunaas, Karthika, Saranya, Livingston, M S Bhaskar, Manobala and Others Music: Dhina Producer: Kalanidhi Maran Director: Shiva Shanmugham Released Date: December 21, 2008

Story: A remake story, the tale begins with an ordinary looking Sarathy (Karunas) who is dark, short in height and despite his repeated efforts to make himself look good, he fails. Sarathy believes in making himself pleasing and presentable but then it never really works for him. However, his life takes a turn when he gets married to a beautiful woman (Karthika) and instead of being happy about it, Sarathy begins to get on to a new phase of insecurity. He begins suspecting her every move and is not so sure of her approach. The truth is, his wife loves him a lot and accepts him as he is. Sarathy's constant tabs on her and his spying on her moves and meetings with other men in general become extreme. When she realizes what he has been doing, that pushes her to the limit and one day she decides to leave him. What happens from there forms the rest of the story. Presentation: The director has attempted to come out with something different but then it was essential that the film had a tight script and an even gripping screenplay for that to work out. The presentation was just about okay but the narrative was not captivating enough. Music has been below average and the dialogues were quite amateur. The script was written but there was nothing to engage the audience. Camerawork was normal and the editing was tolerable. Karunas did his bit with full efforts and though he fitted the role correctly he was not able to create the required impact. Karthika from her end is glamorous enough and showed her tolerance as a wife of a nagging husband in a good manner. Nasser was good in his brief presence, Bhaskar was effective and the others were tolerable. Conclusion: This happens to be a remake of the Malayalam super hit 'Vadakkunokki Yanthram' and though it did not have that sort of brilliance, it managed to pull off a decent score. While the first half is more on the lighter side with a good share of comedy, the second half turns serious and emotional making way for some really intense climax. Technically, the film has not been that well but given the subject and the sensitive aspect of human relations involved, it was somewhat okay. Bharatstudent Verdict : Average treat, a bit different

Source:Behindwoods

Starring: Karunaas, Karthika, Saranya, Livingston, M S Bhaskar, Periyar Dasan, Manobala, Mayilsamy, Shanumuga Rajan Direction: Siva Shanmugan Music: Dhina Production: Dream Towers

OK, for once we have a movie that can truly vouch for its distinctness. There are movies releasing every Friday that claim to be different, but this is one that wee all will have to agree is different. Like it or not is another matter. It is a remake of the Malayalam hit ‘Vadakkunokki Yanthram’, scripted and directed by Sreenivasan nearly two decades back.

Dindigul Sarathy marks the debut of Karunas as the hero, but not the regular hero. He handles the lead character which is as far from Kollywood’s hero concepts as it can get. Dindigul Sarathy deals with one man’s inferiority complex. One cannot recollect any movie that has dealt in so much detail with one man’s feeling of being a lesser mortal amongst his taller and fair skinned fellow beings. Sarathy is an ordinary man. By ordinary, one means as ordinary as a person can get. Karuna’s appearance is of prime importance here. Short stout and dark skinned, he considers himself the antithesis of the good looking man and tries in vain many ways to improve his appearance, especially his complexion. But it is his complex that grows instead. He gets married, much to his delight, to a beautiful lady played by Karthika (Nam Naadu fame). Sarathy can’t believe his luck and at the same time gets the feeling that what has happened is too good to be true. His mind

starts playing games as he gets more and more desperate to know whether his wife really loves him. He suspects every other man who is taller or fairer to be eyeing his wife and lives in perpetual mental trauma. When the doubts start assailing him no end, he resorts to spying on his house to check his wife’s activities. Slowly he starts earning the wrath of everyone around him, his loved ones start leaving him, unable to stand his behaviour. It takes time before people realize that he has lost his mental balance. Does he come out a reformed man?

Dindigul Sarathy is a story that can be narrated in a few lines, but it is the screenplay that is important here. It contains all the antics and supposedly ingenious techniques devised by Sarathy to impress his wife and then later to spy on her. The film is full of such instances, many of which are amusing while some are not so. There is a particular incident where Sarathy’s wife says that she is a huge fan of Ajith. The doubting Sarathy immediately starts suspecting her associations with Ultimate Star. It was a joke that starts off well but is eventually stretched too far. There are also quite a few instances where Sarathy is quite vocal in his doubts about his wife’s loyalty which can put off quite a few family audiences.

The movie has a few songs, the original had only one. One can understand that the director had commercial compulsions to comply with, but he might have added one song too many. The ‘Dindigul Dindigul’ song that was used in the promo too makes an appearance and in general, all songs are thoroughly commercial masala numbers, Dhina has done a neat job. Karunas comes up with a polished performance in a role that suits him to perfection. He couldn’t have made a better choice. The surprise packet however is heroine Karthika who makes use of the given opportunity wonderfully, she is apt for the role. In Karunas’ presence, you wouldn’t generally require another comic artiste, but M.S. Bhaskar appears in a very amusing role as a budding philosopher who keeps advising Sarathy about life, actually creating more problems for him. Nasser makes a neat cameo at the climax.

Overall, Dindigul Sarathy is a product that comes out only once. Its distinctness is its defining strength, but it has got its commercial limitations at the box office. But the director’s (Sivashanmugam) decision to add a few elements for the fun loving audience might help it put up a brave fight. Looking at the quality of movies that are currently in theaters, Dindigul Sarathy has got its chances.

Verdict – Dindigul Sarathy– definitely different

Source:Indiaglitz

Banner: Dream Towers Cast: Karunaas, Karthika, Saranya, Livingston, M S Bhaskar, Periyar Dasan, Manobala, Mayilsamy, Shanumuga Rajan Direction: Subramaniam Pilai Music: Dheena
Dindigul Sarathy Movie Review

Dindigul Sarathy - Strikingly different

IndiaGlitz [Monday, December 22, 2008]

Joining the long list of comedians trying their luck as heroes is Karunaas. Unlike others, his maiden venture as hero is a whiff of fresh air for it is laced with lighter moments, sentiments and a message at the end for the masses. Doing a remake is never an easy task. Even remakes from other languages starring big artistes failed to strike a chord with the masses. 'Dindigul Sarathy', inspired by Malayalam hit 'Vadaku Nokki Enthiram' is different and engrossing. Due credit should be given to director Shivashanmugham, who has made necessary changes in the script to suit the Tamil audience. Though the first half has shades of the original, the latter half is different and oozes with nativity. Unlike contemporary Tamil films, the movie doesn't boast of any punch dialogue, boundless glamour or crass comedy. It is a riveting story that drives the momentum in the film. All the artistes deserve a pat for they have identified themselves as their characters in the film. In a nutshell, the movie is set around a man with inferiority complex over his average looks. An average looking youth, who gets married to a good-looking woman and his travails thereafter is 'Dindugal Sarathy'. Sarathy's (Karunaas) problem is that he is short, stout and dark skinned. With most of the girls he approached refusing to marry him, a fair and beautiful girl (Karthika) comes forward to accept Sarathy in her life. But the real problem starts only after the marriage. His inferiority complex drives him to suspect his wife. At one point, things go way beyond control. How the couple overcomes all hurdles and reunites is the climax. Karunaas is in his elements. He makes the audience laugh, cry and sympathizes for him. He lends dignity to the character and brings out the emotions of a youth struck by complex really well. Over all, he has rendered the role with grace and charm. Equally impressive is Karthika. The girl, who acted opposite Sarath Kumar in 'Nam Naadu' is a perfect foil for the character. The cute-looking girl emotes at her best. A difficult character but done well in the end. It's refreshing to see a girl giving a go by to glamour in recent Tamil cinema. Nasser's brisk cameo towards the climax deserves a special mention. A great actor he is for the thespian hogs all limelight in a brief role. Music by Dheena is good. Especially, the remix number featuring Karunaas, Grace Karunaas among others is one of the major highlights of the film, not to forget about a handful of scenes including the 'Saamiyov' comedy. The film presented by Sun Pictures, is sure to leave an impression with the masses. The story and script are the real heroes in it. All applause goes to Karunaas for making his first stint in such a good script. Half the battle was already won by the filmmakers as they zeroed in on Sreenivasan's successful script. This family entertainer, 'Dindigul Sarathy' is surely worth a watch.

Source:Galatta

Cast	Karunas, Karthika, M.S.Bhaskar, Saranya, Periyardasan, Shanmugarajeswaran
Banner	Dream Towers
Direction	Sivashanmugan
Dialogues	Ramnath
Music	Dina
Camera	Taj
Review
Dindugul Sarathy revolves around a light-hearted plot. Karunas, one of the popular comedians of Tamil cinema, has debuted in a full-length role in the film. Sarathy (Karunas) is a naive villager who runs a printing press. With a worn-out cash bag in hand, attired in a spotless white dhoti and shirt, Sarathy trundles around in his ancient moped. An eligible bachelor, Sarathy's wedding proposals fail only because of his appearance - medium height, dark complexion, unassuming features... Prospective brides reject his alliance based on his looks, overlooking his charming personality and appeal; they make deprecating remarks about his less-than-attractive looks and reject him. With the inferiority complex these remarks create, a disturbed Sarathy does everything possible to improve his physical appearance. He steps out of his house only after coating his face generously with talcum powder. But despite all his efforts, he faces rejection in the marriage market, getting dejected and losing all hope of ever finding a life partner. Finally, upon his relatives' insistence, he sees a beautiful girl (Karthika). As usual, he thinks she will reject him, but the girl surprisingly agrees to marry him and they get married. After the wedding, Sarathy is very affectionate towards his wife. But owing to his niggling feeling of insecurity, he becomes suspicious of his wife's behaviour, which dilutes his affection for her. He suspects every single male who communicates with his wife as her secret lover. What are the consequences of his suspicious nature? Who all are included in this list of "secret lovers"? What happens to Karthika? Does she understand Sarathy's predicament or does their wedding face major roadblocks? Dindugul Sarathy has used a lot of comedy to convey the serious message. Watch the movie! Karunas as Sarathy is really impressive. The scene in which he tries to protect his wife from the strangers' stare is quite pathetic. Here are a few examples of his unfounded suspicions: When Karthika confesses that she is a fan of actor Ajith, Karunas take her to the star's movie but as he watches her appreciate Ajith in the film, he throws a mean tantrum and brings her home, halfway through the show. His suspicions reach a peak when he spots a car pasted with Ajith's poster near his home. Presuming that Ajith was visiting Karthika, he tries to trap the actor by locking the house. Also, when his friend Balaji challenges Karunas that he will abduct Karthika in just ten days, Karunas' agony knows no bounds. All the above scenes register with life and emotion only because of Karunas. The talented comedian has indeed offered his best performance in the lead role. M.S. Bhaskar is another unforgettable performer in the film. As a fledgling poet, the scene in which he offers a 'tea treat' for his handful of fans and audience is really striking. Karthika too sparkles with her down-to-earth yet strong character. 'Dindugullu Dindugullu' and 'Paruthikkaadau Pathikichu' are good in Dina's music. Ramnath's dialogues are a big plus to the film. Dindugul Sarathy, full of sugar and less spice, is indeed nice.

Abhiyum Naanum Tamil Movie Review

Abhiyum Naanum Movie Review from bharatstudent,Indiaglitz,Idlebrain

Ratings at a glance
Bharatstudent - 3/5
behindwoods - 2/5
Indiaglitz -
Galatta -

Source:Bharatstudent

Movie Review:Abhiyum Naanum Rating :3/5 Banner :Duet Movies Cast :Trisha, Aishwarya, Prakash Raj, Thalaivasal Vijay, Ganesh Venkatraman, Prithviraj and others Music: Vidhyasagar Cinematography: Preetha Producer: Prakash Raj Director: Radhamohan Released Date: December 19, 2008

Story: A gripping story, the tale begins in the backdrop of beautiful Ooty with Raghuraman (Prakashraj) who opens his heart to a young man (Prithviraj) he meets. The story is about the time when Raghu's wife Anu (Aishwarya) gives birth to a baby girl Abhi (Trisha). Raghu dotes on his daughter intensely and is there for her at any point of time. He teaches her the good and bad of life and has a magical influence on her. Soon, Abhi grows up and there comes a time when she wants to do her PG in Delhi. Much against Raghu's wishes, she convinces him finally and goes there. However, things get complicated when Abhi returns with Joginder Singh (Ganesh), a sardar who is a journalist and also a noted economist. Raghu is unable to take it but then instead of reacting, he begins to distance himself from Abhi. What happens from there forms the rest of the story. Presentation: The director has come out with a rather emotional subject but the good thing about the film is that it has been provided with some meaningful narrative and also a classy presentation. The dialogues were simple and straight, script was neat, screenplay was alright. The music was not very special but it had its moments while camerawork did a remarkable job. Editing could have been better at few ends to keep the film tight. Prakash Raj came up with yet another powerhouse performance and has proved that there is no one better than him for the role of a girl's father. Aishwarya was a surprise too with her elegant role and she has portrayed her character very well. The real showstealer was Trisha who came out with a top notch performance and showed her acting potential. Ganesh looked perfect as the sardar while Prithvi was there for a brief role but good. Thalaivasal Vijay carried out his role with maturity. The others were good to their bits. Conclusion: Amongst the horde of father-son relation movies, this one came out to be a rather interesting tale between a father and his daughter. The emotional quotient was up to the brim and it had a neat message for those who do not value relations in life. However, the pace of the film was not upto the mark and it could have been better if the second half avoided a typical soap setting. The film is definitely for the family audience and those who wish to have few nostalgic moments so quality is there in it. Mass audience may not relish this though. Bharatstudent Verdict: An emotional tale between father and daughter, recommended.

Source:Behindwoods

Starring: Trisha, Prakash Raj, Aishwarya Direction: Radha Mohan Music: Vidyasagar Production: Duet Movies

At a time when female infanticide is widely rampant in our country, director Radha Mohan should certainly be lauded for crafting a film which speaks high about showering love and affection on a girl child.

Abhiyum Naanum, the much awaited film from the stables of Duet Films, has finally hit the screens amidst huge expectations created by the director's last venture Mozhi. Unfortunately, Radha Mohan struggles to weave the same magic this time. Prakash Raj who marries Aishwarya leads a happy life with his daughter Abhi in Ooty. He is extremely fond of his family especially his daughter and cannot bear even the barest separation from her. He creates a huge fuss on the first day when Abhi starts her school. In a similar vein, director's attempts to showcase Prakash's emotions when Abhi gets married fall flat and appear to be ill contrived. When Abhi comes of age to proceed with her collegiate studies, she wants to go to Delhi and heeding to her wish, Prakash permits her. But she returns with a sardarji and much to Prakash's angst, insists that that she wants to get married to him. Whether Prakash Raj allows this marriage or whether he becomes the villain for his daughter forms the rest of the story.

There are a few scenes which deserve mention like the one when Trisha says to her dad that she is ready to leave her lover if Prakash Raj does not approve of him to which he immediately declines the idea. Similarly, when Aishwarya wonders to her husband about how he is going to withstand his daughter's absence in his life after her marriage is a beautiful one and sits heavily on our hearts.

At the same time, the sequences when Prakash Raj speaks to the Prime Minister in the phone and in places when he cries when Abhi starts her school are just short of buffoonery. Director could have avoided scenes where Prakash Raj is shown to be cramming lessons for pre K.G admissions. It is difficult to appreciate his acting in many situations as it appears over dramatic.

Towards the end, Abhiyum Naanum becomes almost close to an ordeal and is a test of patience. Director could have worked towards a tauter script.

Debutant Ganesh Ram looks fine but does not have much scope for performance. Manobala's character hangs in air.

Vidysagar's music is very ordinary. Camera work by Preetha is noteworthy. Film is likely to suffer commercially.

Verdict – Abhiyum Naanum – sparkles in bits and pieces

Source:Indiaglitz

Banner: Duet Movies Cast: Trisha, Aishwarya, Prakash Raj Direction: Radhamohan Production: Prakash Raj Music: Vidhyasagar
Abhiyum Naanum Movie Review

Abhiyum Naanum - Big daddy and his beautiful daughter

IndiaGlitz [Friday, December 19, 2008]

What when a director, who knows the art of narrating human emotions in a gripping manner, a skilled actor, who can do any role with ease and a talented actress, who combines performance and great looks, come together? A quality entertainer. Director Radha Mohan, actor Prakashraj and actress Trisha have teamed up to come out with Abhiyum Nanum, which is sure to move every heart as it narrates the tale of a caring father and his beloved daughter. Radha Mohan chronicles the journey of a father, who showers boundless love on his daughter. The bondage between a father and his daughter, always considered very special, has been captured well by Radha Mohan. All credit to the director for providing a movie which is a whiff of air amidst clichéd run-of-the-mill stuff, specially at a time when a female child is still considered a burden in many families in rural parts of our country. Movies on family values have become a rarity and such themes have been left for the mega-serial directors to handle. But Radha Mohan seems to have taken it a challenge and delivers a movie, which is entertaining, engrossing and makes us sit up and watch in the theatre. The emotions and the joy a man undergoes when he gets a daughter has been brought out well by the director through Raghu Raman played by Prakash Raj. Unlike films that speak on father-son bondage in the recent times, the USP of Abhiyum Nanum is the manner in which it is narrated. Radha Mohan and his team, quite like Mozhi, has dealt a serious topic in a hilarious way, thereby reaching out immediately to the viewer. He has consciously avoided the drama elements and the artistes underplay their roles to deliver their best. Due credit should be given to Duet Movies. Their passion for rendering quality entertainers is evident in Abhiyum Naanum. From Azhagiya Theeyae till Abhiyum Naanum, the production house has rendered nothing but movies with quality content. Raghuraman (Prakashraj) comes across a youth (Prithviraj) at a park in Ooty and gets acquainted immediately. He soon starts narrating his past – the pages from his life especially when his wife Anu (Aishwarya) gave birth to a baby girl. With boundless love and affection, his life is filled with fresh joy; his day starts and ends with his young daughter Abhi. He takes care of everything and ensures Abhi leads a happy life devoid of any worries. As days go by, the girl grows up. Now Abhi (Trisha) decides to pursue higher studies in Delhi. Fear of leaving his daughter for a couple of years, forces the doting father to oppose her plans. Eventually, she persuades him to accept her plans. She emerges out of her father's shadows and slowly starts to think on her own. Abhi returns from New Delhi only to give her father a great shock. She informs her affair with Joginder Singh alias Jogi (Ganesh Venkataram), an independent journalist and a renowned economist. There begins a series of unfortunate events. The daughter again persuades her father to accept for her wedding. Adding more confusion is when Jogi along with his family members arrive for the wedding. The dad starts to distance himself from his daughter, while she starts a fresh life with Jogi. Radha Mohan's climax carries a riveting message for every man, who sees relationships in life as a burden and feels life is so miserable to lead in this world. Hats off to Prakashraj for he has lived as a dad all through the movie. His face speaks thousand words – be it joy on seeing his new –born, the zeal to be prepared for his daughter's admission in pre-kg, the joy at her passing out in flying colors or the confusions over her wedding. As a loving father and a caring husband, Prakashraj is right there delivering one of his best. Aishwarya's contribution is commendable. She reflects mothers who are seen in every middle-class families. She showers all her love over her daughter. Her spontaneous emotions and dialogue delivery renders grace to the character. Debutant Ganesh Venkataram has lived the role of a Punjabi economist in the movie. With colorful turban and beard, he looks a typical Punjabi. The comical sequence involving Jogi and his family members reminds movies like 'Dilwale Dulhaniya Le Jayenge' and 'Hum Aapke Hain Koun'. Especially, the two young Punjabi kids playing tricks on Prakashraj evokes laughter. Prithviraj plays a cameo while Thalaivasal Vijay does a neat job. But the real scene-stealer is Abhi (Trisha). Rarely does an actress get a meaty role to do in a Tamil movie, which has tuned them into mere glam-dolls. The ravishing Trisha has proved that she is equally good in acting too. Her expressions stand out tall. Sharing screen space with Prakashraj, she has equally matched up his performance. Vidyasagar's music is good. A couple of numbers influenced by Punjabi music is foot-tapping. Though the story unfolds in a slow pace towards the climax and there are few scenes which reminds one of watching a soap show, Abhiyum Nanum stands out for it is a quality entertainer which can be watched by the whole family.

Source:Galatta

Cast	Prakashraj, Trisha, Aishwarya, thalaivasal Vijay, Ganesh Venkatraman, Prithviraj
Banner	Duet Movies
Producer	Prakashraj
Story, screenplay, direction	Radha Mohan
Dialogues	C.P.Narayann, R.Subramanian
Music	Vidyasagar
Choreography	Brindha, Pony Verma
Art	K.Kadhir
Camera	Preetha
Stunts	Action Prakash
Editing	Mu.Kasi Viswanathan
Review
Mozhi made in the combination of producer Prakashraj and director Radha Mohan earned appreciation for its creditable storyline and realistic characters. Now Abhiyum Naanum too invokes the same feeling. In this age of commercial plots, the producer-director duo has taken up a sensible theme and has presented it well on the big screen. Abhiyum Naanum deals with the relationship between a daughter and a father. Abhi(Trisha) is Raghuram(Prakashraj) and Anu's(Aishwarya) affectionate daughter. From the very moment she is born, Prakashraj develops a remarkable bonding with his baby girl (Such a rare tendency these days when a majority lament about individual independence and emotional freedom!). When she is few months old, he touches those pink, soft toes, drinks in her fragrant baby-scent and keeps her perpetually warm and secured in his embrace. The magical and passionate touch communicates the father's closeness to the daughter. When the girl begins going to school, the fond father gives her ample guidelines, tips her on how to save herself from bullies and stays close to her through the initial school-going phase. On the first day when Abhi goes to school on her brand-new cycle, Raghu follows her closely on the trail. So Raghu's each and every thought revolves around Abhi. However, though extremely affectionate and protective, Raghu is not possessive towards Abhi. There is a consistent yet delicate balance in the relationship. So when Abhi chooses to do her post-graduation in Delhi, he happily agrees to her decision. But when she comes back with a journalist boy-friend belonging to a different religion, problems arise. After his initial suspicions, when Raghu witnesses evidences that prove Joghi Singh's(Ganesh Venkatraman) position and power in prominent circles, Raghu is unable to convince himself and is distraught and against the wedding. Why? What bothers the loving father? Does Raghu have narrow-minded objections against the inter-caste marriage? Does the love hurt the sensitive father's instincts? How does Abhi reason out her affair to her dear father? Does she take time to do it or does the love distance the father and the daughter? Abhiyum Naanum explores the reasons and outcomes! Prakashraj and Trisha are Abhiyum Naanum's strengths. While Prakashraj's performance stands out as a film connoisseur’s delight, Trisha's soft yet emotionally strong countenance is so natural. The favourable point that has bogged down all the artifice in their characters is the fact that they are in a way enacting their real life roles. Both of them express a natural ease and comfort in their respective roles. The scene where Prakashraj helps Trisha with her school-work is one fitting example for the dynamic relationship. Aishwarya too has executed her part with élan. Apart from the lead characters, two more people who touch our hearts are Thalaivasal Vijay who dons the role of Prakashraj's dear buddy, Kumaravel who appears as the crazy orphan adopted and christened by Trisha as Ravi Shastry. Preetha's camera presents the hill-station with its natural abundance in terms of colour and consistency. Yet we can also recognize her probing eye for detail in all the sequences. Vidyasagar's music is filled with soft and melodic riffs. Radha Mohan has written the story and screenplay besides directing the film. His penchant for realistic characters and genuine relationships places him a notch above the majority in the field. The film has taken its natural course, progressing as a string of incidents yet building the story on a measured and comprehensible pace. C.P.Narayann and R.Subramanian's dialogues too match the realistic plot. Abhiyum Naanum is a ground-breaking experiment, a willing offering from producer Prakashraj and director Radha Mohan. The film has once again proved the power and impact of a truly worthy production.

Silambattam Tamil Movie Revie

Silambattam Movie Review from bharatstudent,Indiaglitz,Idlebrain

Ratings at a glance
Bharatstudent - 2.25/5
behindwoods - 2/5
Indiaglitz -
Galatta -

Source:Bharatstudent

Movie Review:Silambattam Rating :2.25/5 Banner :Lakshmi movie Makers Cast :Silambarasan, Sana Khan, Sneha, Prabhu, Ponvannan, Nadumudi Venu, Santhanam, Manobala and others. Music: Yuvan Shankar Raja Cinematography: Mathi Producer: Producers: K.Muralithran, V.Viswanathan & T.S. Rangarajan Director: S.Saravanan Released Date: December 19, 2008

Story: A formula film, the story begins in the temple town of Kumbakonam where Vichu (Simbu) is a priest in the temple of goddess and his whole world revolves around the temple and also by his grandfather (Nedumudi Venu). However, his naïve talk and innocence wins the heart of Janu (Sana Khan) and soon they fall in love. All goes well until one day, a stranger is rescued from goons by Vichu and the stranger happens to be Muthuvel (Prabhu) who is shocked to see Vichu. The flashback begins and truth is Vichu happens to be the son of Tamizh (Simbu again), Muthuvel's brother, they have village feuds since Tamizh loves a Brahmin girl Gayathri (Sneha) and the brutal war all of them die except Muthuvel and the bad guys's son Duraisingham (Kishore). Vichu knows his past and decides to settle the scores. How he does that forms the rest of the story. Presentation: The director has come out with a regular subject and there is nothing new in the narration either, however the presentation has been decent with some nice camerawork and an impressive music. The dialogues could have been better, the script was written neatly but not much intensity, the screenplay was executed without a hitch but it had nothing special to offer. Editing was good this time. Sneha fitted the bill as the Brahmin girl and gave a graceful performance while Sana reminded of Simran in many ways. She has the real oomph. Santhanam was overbearing at times, Prabhu was top notch with his performance, Kishore did his bit as a bad guy. The real show stealer was Simbu as usual and he has shown his hardwork through his dance and stunt sequences. Full marks to him, Karunas and Ponvannan also made their presence felt with their bits. The others were just about okay. Conclusion: The film's strength lied solely on the screenplay since it had a long flashback and then the subject was nothing new. However, the makers failed to keep the audience in grips as the scenes lacked depth and flavor. While the first half goes about in the typical romance and sympathy angles, the second half went about with the action sequences so the culmination of the climax was known long time back which failed to keep the audience engaged anymore. The film is an out and out Simbu show so if it has to run, it will be totally on his appeal and charms only. Bharatstudent Verdict : A passable entertainer, nothing special about it, can be watched for Simbu though.

Source:Behindwoods

Starring: Silambarasan, Sneha, Sana Khan, Prabhu, Santhanam Direction: Saravanan Music: Yuvan Shankar Raja Production: Lakshmi Movie Makers Limited

Silambarasan’s Christmas gift is here; so how good is the gift, or is it a gift at all? The answer depends a lot on your preferences and tastes. The director had vouched pre-release that he had made a full length entertainer and he has given everything that he believes towards making one. The intentions are spot on, but as the saying goes ‘small good deeds are better than large good intentions’ and it is the deeds of the director that we are interested in, we don’t doubt his intentions.

Silambattam is about retribution, an oft repeated theme in Tamil cinema and a very regular element of Silambarasan starrers. It is all about the feuds within a family that take on unmanageable proportions and result in death and despair for many. An extended family in a village is leading a happy and united existence. The head of the family is a much loved man in the village and in his last days he leaves a large chunk of his property for the welfare of his villagers. Most of the family is happy to abide by the decision of their godfather, but there are factions that believe that the old man has shown more largesse than is agreeable and decide to oppose it. Push comes to shove and the inevitable sickle takes center stage. As many members of the family are killed, some of them make off with their lives, never to return. But destiny brings back one boy to his roots and when he learns of what has passed, then retribution is the only thing on his mind. The director has admitted that the plot is not novel. Well, we

don’t expect a path breaker either. The director has handled the story and screenplay and while it cannot be denied that the plot and the script do show signs of promise and potential, the ultimate realization has been found wanting. Somehow, one gets the feeling of an opportunity that has been wasted. The narration is not sound, though it is difficult to put one’s finger on exactly what the weaker points are, lack of application on the director’s part seems to be the culprit here.

Silambarasan has turned in a whole hearted performance. Appearing in two roles for the second time in his career, he makes good use of the scope provided. His role as the villager in the ‘flashback’ mode must be appreciated, especially his combination with Sneha who also has managed to make an impact with a limited role. Their chemistry is surprisingly good, with machan machan song having come out really well. Sana Khan, paired with the present day Silambarasan, has been largely sidelined by the main plot. Then there is the seasoned Prabhu, the able Kishore, the veterans Nedumudi Venu, Nirosha, Yuvarani etc. But in spite of having such a cast at his disposal, the director has failed to make an impact in many scenes. The talent of these artistes cannot be doubted, the fault has to be with way they were utilized. Santhanam and Karunas shoulder the comedy in the flashback and current modes respectively. There are certain lewd and at times unsavory dialogues that have been passed off as comedy, definitely in bad taste. But Karunas salvages pride for the comedy department with interestingly devised comic situations which blend in with the plot.

Highlights of the movie are undoubtedly Silambarasan’s dance skills and the foot tapping tunes. Silambarasan does not disappoint, nor does Yuvan. The Machan Machan song in Ilaiyaraja’s voice is a delight while ‘Where’s the party’ is a typically trendy pub number, thoroughly enjoyable. The action sequences too have been crafted well. But one gets the feeling that director Saravanan has relied too heavily on these elements to carry the weight of the movie, while the execution of a fairly good plot has left a lot to be desired though there are certain scenes (few and far in between) that reflect the director’s ability. Saravanan fails to join the list of cinematographers turned successful directors.

Overall, Silambattam is not a bad product, but it could have been a lot better had it not been for the lackluster handling. At the box office, Silambarasan fans might not feel let down by the content and regular additives, but when it comes down to the others, it’s a bit of touch and go. Saravanan, Silambarasan and the rest of the Silambattam team will have to wait and watch.

Verdict – Silambattam – Nothing special

Source:Indiaglitz

Banner: Lakshmi Movie Makers Limited Cast: Silambarasan, Sana Khan, Direction: S Saravanan Music: Yuvan Shankar Raja
Silambattam Movie Review

Silambattam - Far from being impressive

IndiaGlitz [Thursday, December 18, 2008]

Expectations were riding high on Silambarasan's 'Silambattam' as the songs made it big even before the movie's release and it was touted to be a racy entertainer laced with action. However, the end product seems to be far from being impressive. With loosely etched characters and incoherent script, a sense of déjà vu prevails as one watches the film. But due credit should be given to actor Silambarasan, who does the job entrusted to him well. Debutant director S Saravanan has come up with a script, which is about a young man, who has a bad past. The youth turning into an angry young man to avenge the killers of his family is the crux. A young son who acknowledges his bitter past and becoming an avenger is the most primitive storyline ever. This flick is no different and it's one more addition to the formula driven movies in Tamil cinema. The 25th production of Lakshmi Movie Makers, Silambattam boasts of a huge star cast which includes the likes of Prabhu, Sneha, Nedumudi Venu besides Simbhu. However these characters seem to have added no strength to the script as they are too loosely etched. An out-and-out Simbhu show, the movie features the actor in a dual role – that of a father and son. Vichu (Silambarasan) is a priest in a temple at Kumbakonam. Brought up by his uncle (Nedumudi Venu), he leads a happy and contended life and for him the temple and the Goddess is everything. Janu (Saana Khan), who lives in the same town, falls for Vichu's innocence. Swaminathan (Santhanam), Venkatesh (Manobala ) and his wife Pattu Mami (Nirosha) admire Vichu a lot. Vichu had a bad past known only to his grand father. Suddenly, in a twist enters Muthuvel (Prabhu). He gets released from jail and gets shocked on seeing Vichu. Flashback reveals that Vichu is the son of Muthuvel's brother Thamizh (Silambarasan), who falls in love with a Brahmin girl Gayathri (Sneha), daughter of (Nedumudi Venu). Thamizh champions the cause of the village against baddies (Ponvannan, Raghav and Harris). Rathnam bumps off Thamizh's family and eventually Gayathri dies delivering a baby which grows up to become Vichu. Thanks to Prabhu, Vichu comes to know about his past and decides to avenge the killers of his family. Silambarasan is impressive with a laudable performance. He's good at stunt and dance sequences and looks good on screen. Saana Khan reminds one of Simran, who has etched similar roles in a lot of films. Santhanam with his double entendre comedy fails to evoke laughter. At many places, it crosses its limits and makes us uncomfortable. Yuvanshankar has given racy and peppy tunes and songs including 'Where is the Party' and 'Nalamdhana' is a sure to make everyone dance. Stunts by Kanal Kannan deserve applause for its captivating sequence. On the flip side, the movie reminds us of movies like Arasu, Anniyan etc. Had the director concentrated on screenplay and downplayed the down entendre, the end product could have been good.

Source:Galatta

Cast	Silambarasan, Sana Khan, Sneha, Prabhu, Ponvannan
Banner	Lakshmi movie Makers
Producer	K.Muralithran, V.Viswanathan, T.S. Rangarajan
Story, screenplay, dialogues and direction	S.Saravanan
Music	Yuvan Shankar Raja
Camera	Mathi
Art	Prabhakar
Stunts	Kanal Kannan
Editing	Don Max
Review
Silambattam has many features to make it special. It is the 25th film from the renowned Lakshmi Movie Makers. The movie's story, screenplay, dialogues and direction are handled by cinematographer-turned-director Saravanan. Simbu, for the first time, dons the role of a demure Iyer boy. The narration of Silambattam switches between two periods. The opening scene shows Vichu (Simbu) as a quiet youngster brought up by his maternal grandfather and guardian, the village priest (Nedumudi Venu). Owing to certain reasons, the caring elder has purposefully toned down the young boy's emotional quotient and has taught him a peculiar art of living. (Simbu uses his eyes to convey the inner quietude of Vichu.) As a result, Vichu is soft-spoken, passive and groomed to tolerate all sorts of malicious misdemeanours aimed at him. Vichu assists his grandfather in carrying out the religious rituals as well as being the caretaker of the temple. Vichu's only consolation comes in the company of his sweetheart Janu (Sana Khan). Janu's childish pranks and teasing remarks make up for all the precious and youthful moments he has missed in his growing years. Though Simbu abides by is gradfather's advice, an unpleasant incident in the temple premises reveals his real persona. Vichu sees a big band of ruffians bashing a seemingly meek individual. Becoming furious at the sight, Vichu gets into the tussle and saves the victim. But, as the man takes a hard look at Vichu's face, he is stunned! What is the secret in Vichu's past? Why does it intimidate the stranger? A flashback shows a huge clash between the two village groups headed by Muthuvel (Prabhu) and Veeraiyan (Ponvannan). The reason for the clash? Veeriayan claims back every bit of land he has donated to the landless and poor villagers whereas Muthuvel and his brother Tamizh (Simbu again!) oppose his order. In the violent power-struggle, too many people die. It includes the fervent activist Tamizh, his dear wife Gayathri (Sneha) and Veeraiyan himself. Only Veeraiyan's last son Duraisingham (Kishore of Polladhavan fame) and Muthuvel survive. The burning intensity of the mishap stays alive in Duraisingham's heart and Muthuvel is the only surviving witness to the dastardly incident. What happens next? What is the connection between Vichu and Tamizh? What part does Vichu play in settling the long-standing dispute? How does he explain the knotty situation to his grandfather who has scrupulously disciplined him all these years? Silambattam has a riveting tale to tell! Simbu has offered a commendable performance in both the roles. Though there are evident variations in attire and make-up between the lookalikes, Simbhu's acting and body language establish the difference emphatically. Vichu's body language shows a forced calm and compromise, whereas for Tamizh, who has grown up in the shadow of his big brother, his fervour and ideals have a definite purpose. So here we glimpse the core of responsibility and maturity in the young Tamizh. When he synergizes both the characters in the latter part of the film, we get to see Simbu, simply unplugged! Sana Khan, with had a bubbly romantic part to play, is the youthful element in the film. Sneha as Gayathri is the soul-stealer, particularly in the scene when she boldly presents an alibi for Tamizh at the cost of her reputation, her predicament moves everyone. In fact, Sneha's role is pivotal to the story; the character's influence is felt till the end. In addition, it has also added remarkable depth to the narration. 'Machan Machan' the duet by Sneha-Simbu is superb! Karunas appears as Tamizh's aide and Santhanam is Vichu's ally. Both offer some light-hearted moments. Considering his mind-blowing performances in many earlier blockbusters, the role is but a cakewalk for Prabhu. However, the veteran embellishes the emotional character with a measured and mature performance. Ponvannan's clarity in dialogue deliveries makes a mark. Kishore's forbidding stance in the very first scene provides a prelude to the film's mood. All in all, debut director Saravanan has succeeded in creating a double-role extravaganza with Simbu. The story is indeed formulaic in places, yet we can also see the director's imprint all through. Cameraman Mathi's smart cuts and close-ups present two radically different Simbus. Kanal Kannan's stunts are simply amazing. Yuvan's music has already become a sensation among the youth. With all the collective and worthy efforts, Silambattam impresses as a thoroughly endearing production,n satisfying both classes and masses.