Abhiyum Naanum Movie Review from bharatstudent,Indiaglitz,Idlebrain
Ratings at a glance
Bharatstudent - 3/5
behindwoods - 2/5
Indiaglitz -
Galatta -
Source:Bharatstudent
Movie Review:Abhiyum Naanum Rating :3/5 Banner :Duet Movies Cast :Trisha, Aishwarya, Prakash Raj, Thalaivasal Vijay, Ganesh Venkatraman, Prithviraj and others Music: Vidhyasagar Cinematography: Preetha Producer: Prakash Raj Director: Radhamohan Released Date: December 19, 2008 |
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Source:Behindwoods
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At a time when female infanticide is widely rampant in our country, director Radha Mohan should certainly be lauded for crafting a film which speaks high about showering love and affection on a girl child. | ||
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At the same time, the sequences when Prakash Raj speaks to the Prime Minister in the phone and in places when he cries when Abhi starts her school are just short of buffoonery. Director could have avoided scenes where Prakash Raj is shown to be cramming lessons for pre K.G admissions. It is difficult to appreciate his acting in many situations as it appears over dramatic.
Towards the end, Abhiyum Naanum becomes almost close to an ordeal and is a test of patience. Director could have worked towards a tauter script.
Debutant Ganesh Ram looks fine but does not have much scope for performance. Manobala's character hangs in air.
Vidysagar's music is very ordinary. Camera work by Preetha is noteworthy. Film is likely to suffer commercially.
Verdict – Abhiyum Naanum – sparkles in bits and pieces
Source:Indiaglitz
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Abhiyum Naanum Movie Review | |
Abhiyum Naanum - Big daddy and his beautiful daughter |
IndiaGlitz [Friday, December 19, 2008] |
What when a director, who knows the art of narrating human emotions in a gripping manner, a skilled actor, who can do any role with ease and a talented actress, who combines performance and great looks, come together? A quality entertainer. Director Radha Mohan, actor Prakashraj and actress Trisha have teamed up to come out with Abhiyum Nanum, which is sure to move every heart as it narrates the tale of a caring father and his beloved daughter. Radha Mohan chronicles the journey of a father, who showers boundless love on his daughter. The bondage between a father and his daughter, always considered very special, has been captured well by Radha Mohan. All credit to the director for providing a movie which is a whiff of air amidst clichéd run-of-the-mill stuff, specially at a time when a female child is still considered a burden in many families in rural parts of our country. Movies on family values have become a rarity and such themes have been left for the mega-serial directors to handle. But Radha Mohan seems to have taken it a challenge and delivers a movie, which is entertaining, engrossing and makes us sit up and watch in the theatre. The emotions and the joy a man undergoes when he gets a daughter has been brought out well by the director through Raghu Raman played by Prakash Raj. Unlike films that speak on father-son bondage in the recent times, the USP of Abhiyum Nanum is the manner in which it is narrated. Radha Mohan and his team, quite like Mozhi, has dealt a serious topic in a hilarious way, thereby reaching out immediately to the viewer. He has consciously avoided the drama elements and the artistes underplay their roles to deliver their best. Due credit should be given to Duet Movies. Their passion for rendering quality entertainers is evident in Abhiyum Naanum. From Azhagiya Theeyae till Abhiyum Naanum, the production house has rendered nothing but movies with quality content. Raghuraman (Prakashraj) comes across a youth (Prithviraj) at a park in Ooty and gets acquainted immediately. He soon starts narrating his past – the pages from his life especially when his wife Anu (Aishwarya) gave birth to a baby girl. With boundless love and affection, his life is filled with fresh joy; his day starts and ends with his young daughter Abhi. He takes care of everything and ensures Abhi leads a happy life devoid of any worries. As days go by, the girl grows up. Now Abhi (Trisha) decides to pursue higher studies in Delhi. Fear of leaving his daughter for a couple of years, forces the doting father to oppose her plans. Eventually, she persuades him to accept her plans. She emerges out of her father's shadows and slowly starts to think on her own. Abhi returns from New Delhi only to give her father a great shock. She informs her affair with Joginder Singh alias Jogi (Ganesh Venkataram), an independent journalist and a renowned economist. There begins a series of unfortunate events. The daughter again persuades her father to accept for her wedding. Adding more confusion is when Jogi along with his family members arrive for the wedding. The dad starts to distance himself from his daughter, while she starts a fresh life with Jogi. Radha Mohan's climax carries a riveting message for every man, who sees relationships in life as a burden and feels life is so miserable to lead in this world. Hats off to Prakashraj for he has lived as a dad all through the movie. His face speaks thousand words – be it joy on seeing his new –born, the zeal to be prepared for his daughter's admission in pre-kg, the joy at her passing out in flying colors or the confusions over her wedding. As a loving father and a caring husband, Prakashraj is right there delivering one of his best. Aishwarya's contribution is commendable. She reflects mothers who are seen in every middle-class families. She showers all her love over her daughter. Her spontaneous emotions and dialogue delivery renders grace to the character. Debutant Ganesh Venkataram has lived the role of a Punjabi economist in the movie. With colorful turban and beard, he looks a typical Punjabi. The comical sequence involving Jogi and his family members reminds movies like 'Dilwale Dulhaniya Le Jayenge' and 'Hum Aapke Hain Koun'. Especially, the two young Punjabi kids playing tricks on Prakashraj evokes laughter. Prithviraj plays a cameo while Thalaivasal Vijay does a neat job. But the real scene-stealer is Abhi (Trisha). Rarely does an actress get a meaty role to do in a Tamil movie, which has tuned them into mere glam-dolls. The ravishing Trisha has proved that she is equally good in acting too. Her expressions stand out tall. Sharing screen space with Prakashraj, she has equally matched up his performance. Vidyasagar's music is good. A couple of numbers influenced by Punjabi music is foot-tapping. Though the story unfolds in a slow pace towards the climax and there are few scenes which reminds one of watching a soap show, Abhiyum Nanum stands out for it is a quality entertainer which can be watched by the whole family. |
Source:Galatta
Cast | Prakashraj, Trisha, Aishwarya, thalaivasal Vijay, Ganesh Venkatraman, Prithviraj |
Banner | Duet Movies |
Producer | Prakashraj |
Story, screenplay, direction | Radha Mohan |
Dialogues | C.P.Narayann, R.Subramanian |
Music | Vidyasagar |
Choreography | Brindha, Pony Verma |
Art | K.Kadhir |
Camera | Preetha |
Stunts | Action Prakash |
Editing | Mu.Kasi Viswanathan |
Review | |
Mozhi made in the combination of producer Prakashraj and director Radha Mohan earned appreciation for its creditable storyline and realistic characters. Now Abhiyum Naanum too invokes the same feeling. In this age of commercial plots, the producer-director duo has taken up a sensible theme and has presented it well on the big screen. Abhiyum Naanum deals with the relationship between a daughter and a father. Abhi(Trisha) is Raghuram(Prakashraj) and Anu's(Aishwarya) affectionate daughter. From the very moment she is born, Prakashraj develops a remarkable bonding with his baby girl (Such a rare tendency these days when a majority lament about individual independence and emotional freedom!). When she is few months old, he touches those pink, soft toes, drinks in her fragrant baby-scent and keeps her perpetually warm and secured in his embrace. The magical and passionate touch communicates the father's closeness to the daughter. When the girl begins going to school, the fond father gives her ample guidelines, tips her on how to save herself from bullies and stays close to her through the initial school-going phase. On the first day when Abhi goes to school on her brand-new cycle, Raghu follows her closely on the trail. So Raghu's each and every thought revolves around Abhi. However, though extremely affectionate and protective, Raghu is not possessive towards Abhi. There is a consistent yet delicate balance in the relationship. So when Abhi chooses to do her post-graduation in Delhi, he happily agrees to her decision. But when she comes back with a journalist boy-friend belonging to a different religion, problems arise. After his initial suspicions, when Raghu witnesses evidences that prove Joghi Singh's(Ganesh Venkatraman) position and power in prominent circles, Raghu is unable to convince himself and is distraught and against the wedding. Why? What bothers the loving father? Does Raghu have narrow-minded objections against the inter-caste marriage? Does the love hurt the sensitive father's instincts? How does Abhi reason out her affair to her dear father? Does she take time to do it or does the love distance the father and the daughter? Abhiyum Naanum explores the reasons and outcomes! Prakashraj and Trisha are Abhiyum Naanum's strengths. While Prakashraj's performance stands out as a film connoisseur’s delight, Trisha's soft yet emotionally strong countenance is so natural. The favourable point that has bogged down all the artifice in their characters is the fact that they are in a way enacting their real life roles. Both of them express a natural ease and comfort in their respective roles. The scene where Prakashraj helps Trisha with her school-work is one fitting example for the dynamic relationship. Aishwarya too has executed her part with élan. Apart from the lead characters, two more people who touch our hearts are Thalaivasal Vijay who dons the role of Prakashraj's dear buddy, Kumaravel who appears as the crazy orphan adopted and christened by Trisha as Ravi Shastry. Preetha's camera presents the hill-station with its natural abundance in terms of colour and consistency. Yet we can also recognize her probing eye for detail in all the sequences. Vidyasagar's music is filled with soft and melodic riffs. Radha Mohan has written the story and screenplay besides directing the film. His penchant for realistic characters and genuine relationships places him a notch above the majority in the field. The film has taken its natural course, progressing as a string of incidents yet building the story on a measured and comprehensible pace. C.P.Narayann and R.Subramanian's dialogues too match the realistic plot. Abhiyum Naanum is a ground-breaking experiment, a willing offering from producer Prakashraj and director Radha Mohan. The film has once again proved the power and impact of a truly worthy production. |
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